“Trumpeter Kenyatta Beasley leads this album’s fiery core septet, plus special guests, through the compositions of his late mentor Frank Foster. The Frank Foster Songbook was recorded live at Brooklyn’s Jazz 966 and the ensemble Beasley assembled was handpicked to exhibit the kind of dynamism Foster’s pieces called for.”– Jazziz Magazine‘s 10 Albums You Need To Know
About Kenyatta Beasley
Kenyatta Beasley arrived in New York in 1994 to attend the prestigious Mannes School of Music where he received his Bachelor of Arts in Jazz composition and Performance. Earlier, (at the age of nine) Beasley’s precocious talent was evident when he was selected over 2,000 musicians to portray a young Louis Armstrong in the touring musical Satchmo: America’s Musical Legend. He later studied at the esteemed New Orleans Center for Creative Arts, whose alumni include Wynton and Branford Marsalis, Harry Connick, Jr. and Terence Blanchard. Blanchard was an early influence on Beasley who also wanted to venture into scoring for films. “I fell in love with the concept of film scoring after seeing Malcolm X. It was fascinating to me how music adds another character to the screen. One that is heard, but not seen.”
Cutting through the clutter of New York City’s musical landscape, Beasley’s innovative sound led to his first break: he joined Lauryn Hill to record and support the tour of her multi-platinum album, The Miseducation of Lauryn Hill. He took his horn worldwide to accompany a range of musical acts: Shakira, Wyclef Jean, Fantasia, Chaka Khan, the Wu Tang Clan, P. Diddy, Usher, Carlos Santana, Gloria Gaynor and Gladys Knight. He also appeared on nationally broadcast shows including Ellen, American Idol, Saturday Night Live, the Today Show, MTV’s TRL and the Latin Billboard Awards. Between tours Beasley also recorded his debut album, Brooklyn Mardi Gras.
When not on the road, Beasley continued his education by receiving a Master’s degree in film composition from New York University’s Music Composition/Film Scoring program. “As musicians we have to diversify our portfolios. Performing is a part of me, but not all of who I am.” While at NYU, Kenyatta studied under the tutelage of Sonny Kompaneck (Three Kings, De-Lovely) and eventually composed the score for the short film Earnie, which won the NYU/New York Magazine First Run Film Festival award for Best Original Score and also was a finalist at Sundance. The success of Earnie caught the ear of Quincy Jones who hired him as a contributor to the underscore on Get Rich Or Die Tryin’. He then went on to win Best Original Score at the Brooklyn Arts Council Film Festival for another short film, Heroes Wanted. The trumpeter also composed the scores for other short films include Jeffrey’s Calypso, Dentist Visit, Heart Attack and the award-winning Pariah. His first solo, full-length film score was written for a Vivica A. Fox film, Three Can Play That Game .He also returned to touring on the Mary J. Blige/Jay-Z “Heart of the City” jaunt.
Beasley continued his evolution as both musician and educator when he took a position at Ohio State as a professor of Jazz Studies then a professor of audio production at Long Island University-Brooklyn. in 2018, Professor Beasley created and became founding director of the Music Technology/Entrepreneurship and Performance Program at Long Island University- Brooklyn Campus. “Teaching the creation and production of music has made me realize that while most musicians are trained in how to perform music, they’re basically powerless in presenting the music through recording and marketing themselves as a business” says Beasley. “Just playing an instrument well is half the battle. I’ve always had an interest in the technological side of music and production.”